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Sir Sidney Nolan
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Early Days:
Nolan was born in Carlton, a suburb of Melbourne. He was the eldest of four children. His family later moved to the St Kilda. Nolan attended the Brighton Road State School and then Brighton Technical School and left school aged 14. He enrolled at the Prahran Technical College, Department of Design and Crafts, in a course which he had already begun part-time by correspondence. From 1933, at the age of 16, he began almost six years of work for Fairfield Hats, Abbotsford, producing advertising and display stands with spray paints and dyes. From 1934 he attended night classes sporadically at the National Gallery of Victoria Art School. |
Career:
He was a close friend of the arts patrons John and Sunday Reed, and is regarded as one of the leading figures of the so-called "Heide Circle" that also included Albert Tucker, Joy Hester, Arthur Boyd and John Perceval.
Nolan painted a wide range of personal interpretations of historical and legendary figures, including explorers Burke and Wills, and Eliza Fraser.
Probably his most famous work is a series of stylized descriptions of the bushranger Ned Kelly in the Australian Outback. Nolan left the famous 1946-47 series of 27 Ned Kelly’s at "Heide", when he left it in emotionally-charged circumstances. Although he once wrote to Sunday Reed to tell her to take what she wanted, he subsequently demanded all his works back. Sunday Reed returned 284 other paintings and drawings to Nolan, but she refused to give up the 25 remaining Kelly’s, partly because she saw the works as fundamental to the proposed Heide Museum of Modern Art. Eventually, she gave them to the National Gallery of Australia in 1977 and this resolved the dispute. Nolan’s ‘Ned Kelly’ series follow the main sequence of the Kelly story.
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However Nolan did not intend the series to be an ‘authentic’ depiction of these events. Rather these episodes/series became the setting for the artist’s meditations upon universal themes of injustice, love and betrayal. The Kelly saga was also a way for Nolan to paint the Australian landscape in new ways, with the story giving meaning to the place.
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