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Oil
painting -> Abbot Handerson Thayer
Abbot Handerson Thayer
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Abbott Handerson Thayer (August 12, 1849 –
1921), American artist, was born at Boston, Massachusetts. He was
a pupil of Jean-Léon Gérôme at the École
des Beaux-Arts, Paris, and became a member of the Society of American
Artists (1879), of the National Academy of Design (1901), and of
the Royal Academy of San Luca, Rome.
As a painter
of portraits, landscapes, animals and the ideal
figure, he won high rank among American artists. Among his
best-known pictures are Virgin Enthroned, Caritas, In Memoriam,
Robert Louis Stevenson, and Portrait of a Young Woman; and
he did some decorative work for the Walker Art Building, Bowdoin
College, Maine. |
Abbott Handerson Thayer (August 12, 1849 –
1921), American artist, was born at Boston, Massachusetts. He was
a pupil of Jean-Léon Gérôme at the École
des Beaux-Arts, Paris, and became a member of the Society of American
Artists (1879), of the National Academy of Design (1901), and of
the Royal Academy of San Luca, Rome.
As a painter of portraits, landscapes, animals and the ideal figure,
he won high rank among American artists. Among his best-known pictures
are Virgin Enthroned, Caritas, In Memoriam, Robert Louis Stevenson,
and Portrait of a Young Woman; and he did some decorative work for
the Walker Art Building, Bowdoin College, Maine.
Thayer is also well known as a naturalist. He developed a theory
of "protective coloration" in animals, which has attracted
considerable attention among naturalists. According to this theory,
"animals are painted by nature darkest on those parts which
tend to be most lighted by the sky's light, and vice versa";
and the earth-brown of the upper parts, bathed in sky-light, equals
the skylight color of the belly, bathed in earth-yellow and shadow.
One of Thayer's most controversial theories purported that "large-scale
protective coloration (or camouflage) had the unique capacity to
bewilder and confuse the mind, especially when present in small
spaces." For this theory, which he was never able to successfully
prove, he drew some criticism among his peers.
He spent the early part of his career in New York City. Thayer
declined an invitation to join the Ten American Painters and settled
in Dublin, New Hampshire in 1901. He was part of the art colony
near Mount Monadnock.
See his article, The Law which underlies Protective Coloration,
in the Annual Report of the Smithsonian Institution for 1897 (Washington,
1898); and Concealing Coloration in the Animal Kingdom (New York,
1910), a summary of his discoveries, by his son, Gerald H. Thayer.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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