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Oil Painting
-> Canvas
Canvas
Canvas is an extremely heavy-duty fabric used for
making sails, tents, marquees, and other functions where sturdiness
is required. It is also popularly used on fashion handbags.
Canvas as an artistic material
Artists use small (or sometimes much larger) pieces of canvas as
a base for their works of art. This canvas is stretched across a
wooden frame called a stretcher, and is coated with gesso before
it is to be used (although some modern artists, such as Francis
Bacon and Helen Frankenthaler, sometimes paint onto the bare, unprimed
canvas). Early canvas was made of linen, a sturdy brownish fabric
of considerable strength. In the early 20th century, cotton came
into use. Cotton, which stretches more and has an even mechanical
weave, is less preferred than linen by the professional artist.
The considerable price difference, however, prompts many beginners,
and even mid-level artists, to choose cotton over linen. One can
also buy small, pre-prepared canvases which are glued to a cardboard
backing in the factory and precoated. However, these are only available
in certain sizes, and are not acid-free, so their lifespan is extremely
limited. They are usually used for quick studies. Pre-gessoed canvases
on stretchers are also available. Professional artists who wish
to work on canvas usually prepare their own canvas in the traditional
manner.
One of the most outstanding differences between
modern painting techniques and those of the Flemish and Dutch Masters
is in the preparation of the canvas. "Modern" techniques
take advantage of both the canvas texture as well as those of the
paint itself. A novice artist often finds it nearly impossible to
approach the realism of such classic art, despite skill in applying
the paint. In fact, Renaissance masters took extreme measures to
ensure that none of the texture of the canvas came through. This
required a painstaking, months-long process of layering the raw
canvas with (usually) lead-white paint, then polishing the surface,
and then repeating. The final product had little resemblance to
fabric, but instead had a glossy, enamel-like finish. Though this
may seem an extreme measure to the modern painter, it is crucial
if photographic realism is the end goal.
With a properly prepared canvas, the painter will
find that each subsequent layer of color glides on in a "buttery"
manner, and that with the proper consistency of application (fat
over lean technique), a painting entirely devoid of brushstrokes
can be readily achieved.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.
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