Oil painting -> Philosophy Of painting

Philosophy of painting

Much theory of art is connected with painting. In 1890, the Parisian painter Maurice Denis famously asserted: "Remember that a painting – before being a warhorse, a naked woman or some story or other – is essentially a flat surface covered with colours assembled in a certain order." Thus many twentieth century developments in painting, such as Cubism, were reflections on the business of painting rather than on the external world, nature, which had previously been its core subject.

A recent contribution to thinking about painting was offered by Julian Bell, in his book What is Painting?. A painter himself, Bell discusses the development, through history, of the notion that paintings can express feelings and ideas. The text is witty and sometimes caustic in order to make his points ("Let us be brutal: expression is a joke. Your painting expresses – for you; but it does not communicate to me. You had something in mind, something you wanted to ‘bring out’; but looking at what you have done, I have no certainty that I know what it was...").

The paintings are the excellent portrayal of the events and scenes that we see around us. The painters are the best cameras of the world. They reproduce many different types of pictures. They even draw imaginary pictures that do not exist in this world. We tend to use both thinned oil paints and dense oil paints. Masterpieces can be dyed more than once, but each time it may be different from the existing paintings.

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