Andrei Ryabushkin

Andrei Petrovich Ryabushkin October 17, 1861 - April 27, 1904 was a Russian painter. His major works were devoted to life of ordinary Russians of 17th century.

Moscow Girl of the XVII century. 1903Contents [hide]

Biography
Andrey Petrovich Ryabushkin was born in the village Stanichnaya sloboda, Borisoglebskiy uezd, Tambov gubernia on October 17, 1861. His father and brother were icon-painters, and he started to help them from his early childhood. At 14 years old he became an orphan. A student of Moscow School of painting, sculpturing and architecture A. Kh. Preobrazhensky, who used to spend the summer in the village, happened to see the boy’s drawings and was greatly impressed by them. He started to give him lessons and helped him to enter the Moscow School of Painting, Sculpture and Architecture. Ryabushkin was one of the youngest student of the school at all times.

Ryabushkin stayed for 7 years (1875-82) in the Moscow School, learning from Vasily Perov and Illarion Pryanishnikov. His first large work Peasant Wedding was bought by Pavel Tretyakov in 1880. After the death of Vasiliy Perov, Ryabushkin moved to Saint Petersburg, in 1882, and entered the Imperial Academy of Arts, where he learned from Pavel Chistyakov. The classes soon disappointed him, however, and he began to spend more and more time either in the library of the Academy or sketching in the streets.

His studies at the Academy came to an end in 1892; he did not receive an award for his diploma work Descent from the Cross, as was expected, because he did not follow the approved project. But the work was so good that the President of the Academy, Grand Duke Vladimir Konstantinovich, provided Ryabushkin with a stipend for travel and studies abroad from his own means. Instead of going to Italy or Paris, Ryabushkin chose to make a tour of ancient Russian towns (Novgorod, Kiev, Moscow, Uglich, Yaroslavl). The inhabitants of them became his first models and his first critics. He studied the old architecture, items of folk crafts, old weapons, fabrics, tapestries, embroidery, icons, etc. He read ancient books, collected folklore.

He took part in Peredvizhniki exhibitions in 1890, 1892 and 1894 but later broke with the movement.

In 90-ies he lived and worked in the estate of his fiend V.F. Tymenev in town of Lubvino (Saint-Petersburg gubernia). In 1901 he built a studio in a village of Didvino close to Lubvino and the etate of his friend I. Belyaev.

Tea-drinkingHis paintings were mostly devoted to the XVII-th century. He also works on frecoes for Sofia Cathedral in Novgorod and mosaics for the Church of the Savior on Blood in Saint-Petersburg. There are 24 of his mosaics on the walls of Church of the Savior on Blood (17 inside and seven outside) (1897-1900). In the later 1900-ies he became interested in the life of contemporary Russian peasant (such paintings as Tea-Drinking and A Young Man Breaking into the Girls' Dance).

The deep study of history made his paintings very reliable, but they did not evoke any sympathy in his contemporaries. Unlike Vasily Surikov, who used the dramatic historical episodes as his subjects, Ryabushkin painted everyday life of XVIIth century. His works lack action, they do not depict social conflicts, as the democrats liked. On the other hand they are not so “beautiful” to reflect the tastes of the rich conservatives. Nobody knew where to place Ryabushkin’s paintings and just did not accept them.

The paintings are the excellent portrayal of the events and scenes that we see around us. The painters are the best cameras of the world. They reproduce many different types of pictures. They even draw imaginary pictures that do not exist in this world. We tend to use both thinned oil paints and dense oil paints. Masterpieces can be dyed more than once, but each time it may be different from the existing paintings.h

Sitemap
Painter sitemap
Techniques sitemap
Materials sitemap