|
Antoni Pitxot
Antoni Pitxot, or Antonio Pichot Soler in castillan,
(born 1934 in Figueres) is a Catalan painter who was a longtime
friend and collaborator with Salvador Dali.
Pitxot, whose name is pronounced "peet-shot," was born
into a family with many artists in its ranks, among whom Ramon Pichot.
He began studying drawing at the age of thirteen, and he exhibited
regularly in Lisbon, Barcelona and Madrid in his twenties and thirties,
winning many prizes, including the Gold Medal painting prize in
Barcelona's La Punyalada competition in 1965.
At the beginning of the sixties, he was a close friend of the French
painter Maurice Boitel who painted many pictures in Pitxot family's
property.
In 1966, Pitxot took up permanent residence in Cadaqués,
a small port town on the Balearic Sea near the French border.
He began to experiment with surrealism: in particular, he became
focused on anthropomorphic figures composed of the stones that lined
the seashores near his home. Pitxot worked in a unique way: he would
build sculptures from stones, and then paint those sculptures in
oil.
Much of Pitxot's work is concerned with allegory and myth, including
the figure of Mnemosyne, the mother of the nine muses who personified
memory, and a series of works about The Tempest.
Pitxot's association with Salvador Dali began before his birth,
because their families were acquainted. But Dali became an early
supporter of Antonio Pitxot's work, and eventually asked him to
co-design the Dali Theatre-Museum Teatro Museoin Figueres, Spain.
There is also a permanent exhibition of Pitxot's work on one floor
of that museum.
Pitxot and Dali were nearly inseparable in the last years of Dali's
life: designing Dali's museum, teaching art, and exchanging ideas
about their work. Pitxot has been a protector of Dali's legacy after
his death: he has led, and sat on the board, of several Dali foundations.
He became the museum's director after Dalí's death.
Pitxot is a respected Spanish artist in his own right. In the year
2000, he was appointed corresponding academian for Cadaques of the
Royal Academy of Fine Arts of Saint George.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
|
|
|
|
|
| |
| | | | | | | | | | | | |
|