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Augustus John
Augustus John (January 4, 1878–October 13,
1961) was a Welsh painter.
He was born at Tenby in Pembrokeshire. He studied
at the Slade School of Art UCL in London and even before his graduation
had proven to be the most talented draughtsman of his generation.
His sister, Gwen John, was an equally talented artist.
Although well-known early in the century for his
drawings and etchings, the bulk of John's later work consisted of
portraits, some of the best of which were of his two wives and his
children. He was known for the psychological insight in his portraits,
many of which were considered "cruel" in the truth of
the depiction. Lord Leverhulme was so upset with his portrait that
he cut out the head and returned the rest of the picture. John painted
many distinguished contemporaries, including Thomas Hardy, W.B.
Yeats, George Bernard Shaw, the cellist Guilhermina Suggia, the
Marchesa Casati and Elizabeth Bibesco. Perhaps his most famous portrait
is of his fellow-countryman, Dylan Thomas.
During WW I, he was attached to the Canadian forces
as a war artist and made a number of memorable portraits of Canadian
infantrymen. The end result was to have been a huge mural for Lord
Beaverbrook and the sketches and cartoon for this show that it might
have been his greatest large-scale work. Alas, like so many of his
monumental conceptions, it was never completed.
It was said that after the war his powers diminished
as his bravura technique became sketchier and sketchier. However,
from time to time his inspiration returned, as it did on his 1937
trip to Jamaica.
He is said to have been the model for the bohemian
painter depicted in Joyce Cary's novel The Horse's Mouth, which
was later filmed with Alec Guinness in the part.
By his first wife, Ida Nettleship (1877-1907),
he had five children, and by his mistress Dorothy "Dorelia"
McNeill, who later became his second wife, he had two children.
By Ian Fleming's mother, Evelyn St. Croix Rose Fleming, he had a
daughter, Amaryllis Fleming (1925-1999), a noted cellist. At one
time it was quite popular for women to suggest that their liaison
with the painter had produced offspring.
In old age, though John had ceased to be a moving
force in British art, he was still greatly revered, as was demonstrated
by the huge show of his work mounted by the Royal Academy in 1954.
He continued to work up until his death in Fordingbridge, Hampshire
in 1961. His last work being a studio mural in three parts, the
left hand of which showed a Falstaffian figure of a French peasant
in a yellow waistcoat playing a hurdy gurdy while coming down a
village street.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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