Cloisonnism
"Cloisonnism" is a style of post-Impressionist
painting with bold forms separated by dark contours. Artists Émile
Bernard, Paul Gauguin, and others started painting in this style
in the late 19th century. The name evokes the technique of cloisonné,
where wires (cloisons or "compartments") are soldered
to the body of the piece are filled with powdered and then fired.
In Yellow Christ (1889), often cited as a quintessential
cloisonnist work, Gauguin reduced the image to areas of single colours
separated by heavy black outlines. In such works he paid little
attention to classical perspective and boldly eliminated subtle
gradations of colour — two of the most characteristic principles
of post-Renaissance painting.
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