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Constantin Hansen
Carl Christian Constantin Hansen (Constantin Hansen)
(November 3, 1804-1880) was one of the painters associated with
the "Golden Age of Danish Painting". He was born in Rome,
the son of portrait painter Hans Hansen. The family soon moved to
Vienna where the widow of Wolfgang Amadeus Mozart became godmother
at his christening. The family moved to Copenhagen within his first
year, where he was raised.
He entered the architecture school of the Royal
Danish Academy of Art (Det Kongelige Danske Kunstakademi) at 12
years of age, but changes his course of study to painting at the
age of 21. He began his training under Christoffer Wilhelm Eckersberg
in 1828. He lost both his parents at about this time to typhus,
and became the sole supporter of his younger sisters. He took over
several commissions that had belonged to his father, including some
copies to the Portrait Collection at Frederiksborg Palace and decorative
paintings to Christiansborg Castle.
In 1835 he received a two-year stipend to travel
abroad, which was followed up by an additional year's stipend. His
travels took him through Berlin, Dresden, Prague, Nuremberg and
Munich on his way to Italy, where he travelled extensively and stayed
longer periods in Rome, Naples and Pompeii. In Italy he met fellow
Dane, the sculptor Bertel Thorvaldsen. He travelled with other Danish
artists, including Jørgen Roed, Christen Købke and
decorative painter Georg Christian Hilker. The Copenhagen Art Union
(Kunstforening) commissioned a painting from Hansen in 1837. He
provided them with "A Company of Danish Artists in Rome"
(Et Selskab af danske Kunstnere i Rom). In addition he painted Italian
folk scenes, and studies of Roman antiquities and architecture that
reflect Eckersberg's spirit.
After eight years in Italy he finally returned
to Denmark, staying briefly in Munich where he studied the technique
of fresco painting, in anticipation of a commission, along with
Georg Hilker, to decorate the University of Copenhagen's vestibule
on Frue Plads. This work continued from 1844-1853. Hansen painted
the mythological figures, while Hilker painted the decorations and
frameworks.
He was deeply interested in literature and mythology,
and inspired by art historian N.L.A. Høyen, he tried to recreate
a national historical painting based on Norse mythology. He painted
also many altarpieces and portraits, including the historical The
Constitutional Assembly (Den grundlovgivende Rigsforsamling) between
1861-1865.
He married Magdalene Barbara Købke in 1846,
and they had nine children. In 1854 he was named professor at the
Academy, but first became member of the Academy in 1864. One of
his daughters, Elise Konstantin Hansen, became a recognized painter,
and another Kristiane Konstantin Hansen, became a tapestry weaver.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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