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Ford Madox Brown
Ford Madox Brown (April 16, 1821 - October 6,
1893) was an English painter of moral and historical subjects, notable
for his distinctively graphic and often Hogarthian version of the
Pre-Raphaelite style. While he was closely associated with the Pre-Raphaelite
Brotherhood, he was never actually a member. Nevertheless, he remained
close to Dante Gabriel Rossetti, with whom he also joined William
Morris's design company, Morris, Marshall, Faulkner & Co., in
1861.
One of his most famous images is "The Last
of England", a portrait of a pair of stricken immigrants as
they sail away on the ship that will take them from England forever.
It was inspired by the departure of the Pre-Raphaelite sculptor
Thomas Woolner, who had left for Australia. The painting is structured
with Brown's characteristic linear energy, and emphasis on apparently
grotesque and banal details, such as the cabbages hanging from the
ship's side.
WorkBrown's most important painting was Work (1865), which he showed
at a special exhibition. It attempted to depict the totality of
the mid-Victorian social experience in a single image, depicting
'navvies' digging up a road, and disrupting the old social hierarchies
as they did so. The image erupts into proliferating details from
the dynamic centre of the action, as the workers tear a hole in
the road - and, symbolically, in the social fabric. Each character
represents a particular social class and role in the modern urban
environment that is sweeping aside the tranquil village-life of
the past.
Brown's major achievement after Work was the cycle
of twelve paintings depicting the history of Manchester, England
in Manchester Town Hall. These present a partly ironic and satirical
view of Mancunian history.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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