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Frank Frazetta
Frank Frazetta (born February 9, 1928) is one
of the world's most influential fantasy and science fiction artists.
He is one of the most emulated artists of these genres in the world.
Biography
Frazetta was born and raised in Brooklyn, New York.
At the age of eight, at the insistence of his school teachers, Frazetta's
parents enrolled him in the Brooklyn Academy of Fine Arts. He attended
the academy for eight years under the tutelage of Michele Falanga,
an award winning Italian fine artist. Falanga was struck by Frazetta's
significant talent. Frazetta's abilities flourished under Falanga,
who dreamed of sending Frazetta to Europe, at his own expense, to
further his studies. Unfortunately, Falanga died suddenly in 1944
and with him, his dream. As the school closed about a year after
Falanga's passing, Frazetta was forced to find work to earn a living.
At 16, Frazetta started drawing for comic books
that varied in themes: westerns, fantasy, mysteries, histories and
other contemporary themes. During this period he turned down job
offers from comic giants such as Walt Disney. In the early 1950s,
he worked for EC Comics, DC, Avon and several other comic book companies.
Through the work on the Buck Rogers covers for
Famous Funnies, Frazetta started working with Al Capp and his Li'l
Abner strip. Frazetta's work for Capp focussed mostly on the Johnny
Comet daily strip, but also filled in for Capp from time to time.
After nine years with Capp, Frazetta returned to regular comics.
Having emulated Capp's style for so long, Frazetta's own work during
this period looked a bit awkward as his own style struggled to reemerge.
Work in comics for Frazetta was hard to find, however.
Comics had changed during his period with Capp and his style was
deemed antiquated. Eventually he joined Playboy magazine doing the
parody strip Little Annie Fanny.
Classic 'Conan the Barbarian'
Frank Frazetta original image.By 1964, Frazetta started producing
paintings for paperback editions of adventure books. His first cover
for the pulp fiction novel Conan the Barbarian caused a sensation—numerous
people bought the book for its cover alone. From this point on,
Frazetta's work was in great demand. During this period he also
did covers for other paperback editions of classic Edgar Rice Burroughs
books, such as those from the Tarzan and Barsoom (John Carter of
Mars) series. He also did several pen and ink illustrations for
many of these books.
Since this time, most of Frazetta's work has been
commercial in nature, providing paintings and illustrations from
things such as movie posters to book jackets to calendars. Many
of his paintings are uncommissioned but have nonetheless become
highly sought after commercially.
Frazetta's work has long been admired by many Hollywood
personalites. Clint Eastwood and George Lucas—fans and friends
of Frazetta's—have commissioned works from him for some of
their movie projects.
Once he secured a reputation, movie studios started
trying to lure him to work on animated movies. Most, however, would
give him participation in name only—most of the creative control
would be held by others. Finally in the early 1980s a movie deal
was offered which would give him most creative control. Frazetta
worked with well-known animated movie producer Ralph Bakshi on the
feature Fire and Ice released in 1983. Many of the characters and
most of the story were Frazetta's creations. The movie proved to
be a commercial disappointment, however, as Frazetta's fantastic
imagery could not be sufficiently reproduced via then-current animation
technology and methods. Frazetta soon returned to his roots in painting
and pen and ink illustrations.
Today, Frazetta's work is so highly regarded that
even incomplete sketches of his sell for thousands of dollars. Frazetta's
primary commercial works are in oil, but he also works with watercolor,
ink and pencil alone. He currently lives with his wife Ellie on
a 67 acre (271,000 m²) estate in Pennsylvania. Some of Frazetta's
sons make a living selling reproductions of his artwork.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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