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Hans Holbein the Younger
Hans Holbein the Younger (c. 1497–1543) was an artist who
painted in the Northern Renaissance style.
He was born in Augsburg, Bavaria.
He first learned painting from his father Hans Holbein the Elder.
Later he went with his brother Ambrosius Holbein to Basel where
he met many scholars, among them the Dutch humanist Erasmus. Erasmus
asked him to illustrate his satires. Holbein also illustrated other
books, including contributing to Martin Luther's translation of
the Bible. Like his father, he designed stained glass windows and
painted portraits. The Reformation made it difficult for Holbein
to support himself as an artist in Basel and he set out for London
in 1526. Erasmus furnished him with a letter of introduction addressed
to the English statesman and author Sir Thomas More. Holbein painted
many portraits at the court of Henry VIII. While there he designed
state robes for the king.
Holbein also designed many of the extravagant monuments and decorations
for the coronation of Henry's second wife, Anne Boleyn, in the summer
of 1533. Several sketches are in existence said to show Anne Boleyn,
as sketched by Holbein. One, however, shows a woman dressed in a
plain nightgown and with rather plump features. Some have said that
this shows the queen when she was pregnant, sometime between 1533
and 1535, but recent research would suggest that this sketch is
actually one of Anne's ladies-in-waiting, probably Lady Margaret
Lee or one of her sisters. It seems more likely that any sketch
or portrait Holbein painted of Anne Boleyn was destroyed after she
was beheaded in 1536, on false charges of treason, adultery, incest
and witchcraft.
Holbein definitely painted Henry's third wife, Jane Seymour, and
his portrait of her accurately reflects Jane's appearance (she was
not famed for her beauty). He also painted Jane's sister, Elizabeth
Seymour, who married the son of Thomas Cromwell. This portrait was
incorrectly identified as Henry's fifth wife, Queen Catherine Howard
when it was discovered in the Victorian era.
In later years he worked in both Basel and London. On one of his
stays in London he painted German merchant Georg Gisze at the Hanseatic
League outpost in London, called the Steelyard (Stahlhof).
Holbein painted Anne of Cleves for Henry VIII during marriage negotiations,
a common practice in the age before photography. Henry criticized
the portrait as having been too flattering, but it seems more likely
that Henry was more impressed by extravagant praise for Anne, rather
than Holbein's portrait. There is some debate over whether or not
a portrait miniature of a young woman in a gold dress and jewels
is in fact Holbein's painting of Henry's fifth wife, Catherine Howard.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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