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Ignacio Zuloaga
Ignacio Zuloaga (July 26, 1870 - October 31, 1945) was a Spanish
painter, born at Eibar, in the Basque country, the son of the metalworker
and damascener Placido Zuloaga, and grandson of the organizer
and director of the royal armoury in Madrid.
The career chosen for him by his father was that of an architect,
and with this object in view he was sent to Rome, where he immediately
followed the strong impulse that led him to painting. After only
six months' work he completed his first picture, which was exhibited
at the Paris Salon of 1890. Continuing his studies in Paris, where
he lived for five years, he was strongly influenced by Paul Gauguin
and Henri de Toulouse-Lautrec. Only on his return to his native
soil he found his true style, which is based en the national Spanish
tradition embodied in the work of Diego Velasquez, Francisco de
Zurbaran, El Greco, and Francisco Goya.
His own country was slow in acknowledging the young artist whose
strong, decorative, rugged style was the very negation of the aims
of such well-known modern Spanish artists as Fortuny, Madrazo, and
Benlliure. It was first in Paris, and then in Brussels and other
continental art centres, that Zuloaga was hailed by the reformers
as the regenerator of Spanish national art and as the leader of
a school. He is now represented in almost every great continental
gallery.
Two of his canvases are at the Luxembourg, one at the Brussels
Museum (Avant la Corrida), and one (The Poet Don Miguel) at the
Vienna Gallery. The Pau Museum owns an interesting portrait of a
lady, the Barcelona Municipal Museum the important group Amies,
the Venice Gallery, Madame Louise; the Berlin Gallery, The Topers.
Other examples are in the Budapest, Stuttgart, Ghent, Poznan, and
New York City galleries and in many important private collections.
Ignacio Zuloaga's work is known for his depictions of traditional
Spanish characters, including peasants, gypsies, and bullfighters
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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