Jacques Villon

Jacques Villon (July 31, 1875 - June 9, 1963) was a French cubist painter and printmaker.

Born Gaston Emile Duchamp in Damville, Eure, in the Haute-Normandie region of France, he came from a prosperous and artistically inclined family. While he was a young man, his maternal grandfather Emile Nicolle, successful businessman and artist, taught him and his siblings.

The Duchamp brothers: Marcel Duchamp, Jacques Villon and Raymond Duchamp-VillonGaston Duchamp was the elder brother of:

Raymond Duchamp-Villon (1876-1918), sculptor
Marcel Duchamp (1887-1968), painter, sculptor and author
Suzanne Duchamp-Crotti (1889-1963), painter
In 1894, he and his brother Raymond moved to the Montmartre quarter of Paris. There, he studied law at the University of Paris but received his father's permission to study art on the condition that he continue studying law.

To distinguish himself from his siblings, Gaston Duchamp adopted the pseudonym of Jacques Villon as a tribute to the French medieval poet François Villon. In Montmartre, home to an expanding art community, Villon lost interest in the pursuit of a legal career, and for the next 10 years he worked in graphic media, contributing cartoons and illustrations to Parisian newspapers, as well as, drawing color posters.

In 1903 he helped organize the drawing section of the first Salon d'Automne in Paris. In 1904-1905 he studied art at the Académie Julian.

At first, he was influenced by Edgar Degas and Henri de Toulouse-Lautrec, but later he participated in the fauvist, cubist, and abstract impressionist movements.

By 1906, Montmartre was a bustling community and Jacques Villon moved to Puteaux in the quiet outskirts of Paris. There, he began to devote more of his time to working in drypoint, an intaglio technique that creates dark, velvety lines that stand out against the white of the paper.

His isolation from the vibrant art community in Montmartre, together with his modest nature, ensured that he and his artwork remained obscure for a number of years.

At his home, in 1911, he and his brothers Raymond and Marcel organized a regular discussion group with artists and critics such as Francis Picabia, Robert Delaunay, Fernand Leger and others that was soon dubbed the Puteaux Group. Villon was instrumental in having the group exhibit under the name "Section d'Or" after the "golden section" of classical mathematics. Their first show at La Botie gallery in October of 1912 involved more than 200 works by 31 artists.

In 1913, Villon created his cubist masterpieces — seven large drypoints in which forms break into shaded pyramidal planes. That year, he exhibited at the famous Armory Show in New York City that helped introduce European modern art to the United States. His works proved popular and all his art sold. From there, his reputation expanded so that by the 1930s he was better known in the United States than in Europe.

An exhibition of Jacques Villon's work was held in Paris in 1944 at the Galerie Louis Carré, following which he received honors at a number of international exhibitions. In 1950, Villon received the Carnegie Prize, the highest award for painting in the world, and in 1954 he was made a Commander of the Legion of Honor. The following year he was commissioned to design stained-glass windows for the cathedral at Metz, France. In 1956 he was awarded the Grand Prix at the Venice Biennale exhibition.

Among Villon's greatest achievements as a printmaker was his creation of a purely graphic language for cubism — an accomplishment that no other printmaker, including his fellow cubists Pablo Picasso or Georges Braque, could claim.

Villon died in his studio at Puteaux.

In 1967, in Rouen, his last surviving artist brother Marcel helped organize an exhibition called Les Duchamp: Jacques Villon, Raymond Duchamp-Villon, Marcel Duchamp, Suzanne Duchamp. Some of this family exhibition was later shown at the Musée National d'Art Moderne in Paris.

The paintings are the excellent portrayal of the events and scenes that we see around us. The painters are the best cameras of the world. They reproduce many different types of pictures. They even draw imaginary pictures that do not exist in this world. We tend to use both thinned oil paints and dense oil paints. Masterpieces can be dyed more than once, but each time it may be different from the existing paintings.h

Sitemap
Painter sitemap
Techniques sitemap
Materials sitemap