John Martin

John Martin (July 19, 1789–February 17, 1854), English painter, was born at Haydon Bridge, near Hexham. He was apprenticed by his father to a coachbuilder to learn heraldic painting, but owing to a quarrel the indentures were cancelled, and he was placed under Bonifacio Musso, an Italian artist, father of the enamel painter Charles Musso. With his master, Martin removed to London in 1806, where he married at the age of nineteen, and supported himself by giving drawing lessons, and by painting in water colors, and on china and glass. His leisure was occupied in the study of perspective and architecture.

His first exhibited subject picture, Sadak in Search of the Waters of Oblivion (now lost), was hung in the Ante-room of the Royal Academy in 1812, and sold for fifty guineas. It was followed by the Expulsion (1813), Paradise (1813), Clytie (1814), and Joshua (1815). In 1821 appeared his Belshazzar's Feast, which excited much favorable and hostile comment, and was awarded a prize of £200 at the British Institution, where the Joshua had previously carried off a premium of £100. Then came the Destruction of Herculaneum (1822), the Creation (1824), the Eve of the Deluge (1841), and a series of other Biblical and imaginative subjects.

In addition to being a painter, John Martin was a major mezzotint engraver and for significant periods of his life he earned more from his engravings than his paintings. In 1823, Martin was commissioned by Samuel Prowett, an American publisher, to illustrate Paradise Lost by John Milton, for which he was paid 2000 pounds. However, before the first 24 engravings were completed he was paid a further 1500 pounds for a second set of 24 engravings on smaller plates. Prowett issued 4 separate editions of the engravings in monthly installments, the first appearing on 20 March 1825 and the last in 1827. Later, inspired by Prowett’s venture, between 1831 and 1835 Martin published his own illustrations to the Old Testament but the project was a serious drain on his resources and not very profitable. He sold his remaining stock to Charles Tilt who republished them in a folio album in 1838 and in a smaller format in 1839.

He was also occupied with schemes for the improvement of London, and published various pamphlets and plans dealing with the metropolitan water supply, sewerage, dock and railway systems (his 1834 plans for London's sewerage system anticipated by some 25 years the 1859 proposals of Joseph Bazalgette to create interceptory sewers complete with walkways along both banks of the River Thames).

The paintings are the excellent portrayal of the events and scenes that we see around us. The painters are the best cameras of the world. They reproduce many different types of pictures. They even draw imaginary pictures that do not exist in this world. We tend to use both thinned oil paints and dense oil paints. Masterpieces can be dyed more than once, but each time it may be different from the existing paintings.h

Sitemap
Painter sitemap
Techniques sitemap
Materials sitemap