| |
Khalil Gibran
Youth in Lebanon
Growing up in the lush region of Bsharri, Gibran proved to be a
solitary and pensive child who relished the natural surroundings
of the cascading falls, the rugged cliffs and the neighboring green
cedars, the beauty of which emerged as a dramatic and symbolic influence
to his drawings and writings. Being laden with poverty, he did not
receive any formal education or learning, which was limited to regular
visits to a village priest who taught him the essentials of religion
and The Bible, alongside Syriac and Arabic languages. Recognizing
Gibran's inquisitive and alert nature, the priest began teaching
him the rudiments of alphabet and language, opening up to Gibran
the world of history, science, and language.
At the age of ten, Gibran fell off a cliff, wounding his left shoulder,
which remained weak for the rest of his life. To relocate the shoulder,
his family strapped it to a cross and wrapped it up for forty days,
a symbolic incident reminiscent of Christ's wanderings in the wilderness
and which remained etched in Gibran's memory.
Khalil Gibran, Gibran's father, was accused of tax evasion and
was sent to prison; the Ottoman authorities confiscated the Gibrans'
property and left them homeless. The family went to live with relatives
for a while; however, the strong-willed mother, Kamila, decided
that the family should emigrate to the U.S., seeking a better life
and following in suit to Gibran's uncle who emigrated earlier. The
father was released in 1894, but he was undecided about emigrating
and remained behind in Lebanon.
Youth in America
On June 25, 1895, the Gibrans embarked on a voyage to the American
shores of New York.
The Gibrans settled in Boston's South End, which at the time hosted
the second largest Syrian community in the U.S. following New York.
The culturally diverse area felt familiar to Kamila, who was comforted
by the familiar spoken Arabic, and the widespread Arab customs.
Kamila, now the bread-earner of the family, began to work as a peddler
on the impoverished streets of South End Boston. At the time, peddling
was the major source of income for most Syrian immigrants, who were
negatively portrayed due to their unconventional Arab ways and their
supposed idleness.
In the school, a registration mistake altered his name forever
by shortening it to Kahlil Gibran, which remained unchanged for
the rest of his life, despite repeated attempts at restoring his
full name. Gibran entered school on September 30, 1895, merely two
months after his arrival in the U.S. Having no formal education,
he was placed in an ungraded class reserved for immigrant children,
who had to learn English from scratch. Gibran caught the eye of
his teachers with his sketches and drawings, a hobby he had started
during his childhood in Lebanon.
Cultural Growth and Works
Gibran's curiosity led him to the cultural side of Boston, which
exposed him to the rich world of the theatre, Opera and artistic
galleries. Prodded by the cultural scenes around him and through
his artistic drawings, Gibran caught the attention of his teachers
at the public school, who saw an artistic future for the boy. They
contacted Fred Holland Day, an artist, photographer and a supporter
of artists who opened up Gibran's cultural world and set him on
the road to artistic fame.
In 1904 Gibran had his first art exhibition in Boston. From 1908
to 1910 he studied art in Paris with Auguste Rodin. In 1912 he settled
in New York, where he devoted himself to writing and painting. Gibran's
early works were written in Arabic, and from 1918 he published mostly
in English. Among his best-known works is The Prophet, a book of
26 poetic essays: which has been translated into over 20 languages.
In 1920 he founded a society for Arab writers, The Pen League (al-Mahgar).
Among its members were Mikha'il Na'ima (1889 – 1988), Iliya
Abu Madi (1889 – 1957), Nasib Arida (1887 – 1946), Nadra
Haddad (1881 – 1950), and Ilyas Abu Shabaka (1903 –
47).
Death and legacy
Gibran died in New York City on April 10, 1931: the cause was determined
to be cirrhosis of the liver, and tuberculosis. He was buried in
the chapel of Mar Sarkis in Lebanon. He is probably the most famous
Arab-American writer ever, and "The Prophet" remains widely
popular, with certain passages being read at some weddings and christenings.
Gibran's works were especially influential in the American popular
culture in the 1960s. Many Americans have a misconception that Gibran
is Muslim because of his Arabic name, which is actually a Christian-Arabic
name. Much of Gibran's writings deal with Christianity mostly condemning
the corrupt practices of the Eastern churches and their clergies
during that era.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
|
|
|
|
|
| |
| | | | | | | | | | | | |
|
|
|