Louis Hersent

Louis Hersent (March 10, 1777 - October 2, 1860) was a French painter.

Born in Paris, he became a pupil of David, and obtained the Prix de Rome in 1797. In the Salon of 1802 appeared his "Metamorphosis of Narcissus," and he continued to exhibit with rare interruptions up to 1831. His most considerable works under the empire were "Achilles parting from Brisêis," and "Atala dying in the arms of Chactas" (both engraved in Landon's Annales du Musee); an "Incident of the life of Fenelon," painted in 1810, found a place at Malmaison, and "Passage of the Bridge at Landshut," which belongs to the same date, is now at Versailles.

Hersent's typical works, however, belong to the period of the Restoration; "Louis XVI relieving the Afflicted" (Versailles) and "Daphnis and Chloë" (engraved by Langier and by Gele) were both in the Salon of 1817; at that of 1819 the "Abdication of Gustavus Vasa" brought to Hersent a medal of honour, but the picture, purchased by the duke of Orleans, was destroyed at the Palais Royal in 1848, and the engraving by Henriquel-Dupont is now its sole record. "Ruth," produced in 1822, became the property of Louis XVIII, who from the moment that Hersent rallied to the Restoration jealously patronized him, made him officer of the Legion of Honour, and pressed his claims at the Institut de France (Academie des Beaux-Arts), where he replaced van Spaendonck.

He continued in favour under Charles X, for whom was executed "Monks of Mount St Gotthard," exhihited in 1824. In 1831 Hersent made his last appearance at the Salon with portraits of Louis Philippe, Marie Amelie and the duke of Montpensier; that of the king though good, is not equal to the portrait of Spontini (Berlin), which is probably Hersent's chef-d'œuvre.

After this date Hersent ceased to exhibit at the yearly salons. Although in 1846 he sent an excellent likeness of Delphine Gay and one or two other works to the rooms of the Societe d'Artistes, he could not be tempted from his usual reserve even by the international contest of 1855.

The paintings are the excellent portrayal of the events and scenes that we see around us. The painters are the best cameras of the world. They reproduce many different types of pictures. They even draw imaginary pictures that do not exist in this world. We tend to use both thinned oil paints and dense oil paints. Masterpieces can be dyed more than once, but each time it may be different from the existing paintings.h

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