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Mark Rothko
Mark Rothko (September 25, 1903 – February 25, 1970) was
a painter who is often classified as an abstract expressionist,
although he vociferously denied being an abstract painter.
He was born Marcus Rothkowitz in Daugavpils (Dvinsk), Russia (now
Latvia) and emigrated to the United States in 1916.
His work concentrated on basic emotions, often filling the canvas
with very few, but intense colours, using little immediately-apparent
detail. In this respect, he can also be considered to presage the
color field painters (see Helen Frankenthaler).
Although respected by other artists, Rothko remained in relative
obscurity until 1960, supporting himself by teaching art.
In 1958, Rothko was commissioned by architect Philip Johnson to
paint a series of murals for the Four Seasons restaurant in the
Seagram Building in New York. This substantial project was completed
in late 1959. Ultimately, Rothko was not happy having his paintings
as the backdrop to gourmet dining so he gave a set of nine of the
maroon and black works to the Tate Gallery, where they are on permanent
display in an installation designed by Rothko.
In 1967, Rothko again collaborated with Johnson on a church in
Houston, Texas, contributing 14 related works in an installation
setting. The church has subsequently become known as "The Rothko
Chapel". Numerous other works are scattered in museums throughout
the world.
Rothko's work was secretly supported by the CIA which considered
it "free enterprise painting". [1]
After a long struggle with depression, Rothko committed suicide
by cutting his wrists in his New York studio on February 25, 1970.
After his death, his son edited and released Rothko's novel, An
Artist's Reality, which was incomplete at the time of his death,
despite decades of work. Following his death the settlement of the
Rothko estate became the subject of a famous court case (see Rothko
Case).
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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