Natalia Gontcharova

Natalia Sergeevna Gontcharova ( June 4, 1881 - October 17, 1962) is a prominent Russian Cubo-Futurism painter and costume designer.

Biography

Natalia was born in Nagaevo village near Tula, Russia in 1881. She studied sculpture at the Moscow Academy of Art, but turned to painting in 1904. She was deeply inspired by the primitive aspects of Russian folk art and attempted to emulate it in her own work while incorporating elements of fauvism and cubism. Together with her husband Mikhail Larionov she first developed Rayonism. They were the main progenitors of the pre-Revolution Russian avant-garde organising the Donkey's Tail exhibition of 1912 and showing with the Blaue Reiter in Munich the same year.

The Donkey's Tail was conceived as an intentional break from European art influence and the establishment of an independent Russian school of modern art. However, the influence of Futurism is much in evidence in Goncharova's later paintings. Initially preoccupied with icon painting and the primitivism of ethnic Russian folk-art, Goncharova became famous in Russia for her Futurist work such as The Cyclist and her later Rayonnist works. As leaders of the Moscow Futurists, they organised provocative lecture evenings in the same vein as their Italian counterparts. Goncharova was also involved with graphic design - writing and illustrating a book in Futurist style.

Cyclist 1913Gontcharova was a member of the Der Blaue Reiter avant-garde group from its founding in 1911. In 1915, she began to design ballet costumes and sets in Geneva. She moved to Paris in 1921 where she designed a number of stage sets of Sergei Diaghilev's Ballets Russes. In 1962 she died in Paris.

The paintings are the excellent portrayal of the events and scenes that we see around us. The painters are the best cameras of the world. They reproduce many different types of pictures. They even draw imaginary pictures that do not exist in this world. We tend to use both thinned oil paints and dense oil paints. Masterpieces can be dyed more than once, but each time it may be different from the existing paintings.h

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