Paolo Uccello
Paolo di Dono, better known as Paolo Uccello (b.1397 - d.1475)
was a painter (and also a creator of mosaics) in the employ and
patronage of the powerful Florentine Renaissance family, the Medicis.
Uccello is considered the father of the art of the perspective.
In paintings such as Niccolò Mauruzi da Tolentino at the
Battle of San Romano (c. 1438-1440), his use of perspective and
vanishing point created fundamental changes in the way artists depict
spatial relations. In The Hunt (c. 1460), he strives to make the
running hounds three dimensional, knowing that the spatial aspect
was critical to the viewer's enjoyment.
His most famous work, the painting 'Niccolò Mauruzi da Tolentino
at the Battle of San Romano', was commissioned by a wealthy Florentine
banker, and hung in his bedroom until his death. Ucello painted
it on three canvases, and art historians speculate it originally
had an upper half-sphere on which a distant landscape and the sky
were painted. The banker bequethed the painting to his sons, and
soon after his death it stolen in an audacious art theft orchestrated
by Lorenzo de' Medici. In order for it to fit into de' Medici's
bedroom the half-sphere was sawn off.
The painting's three sections, each depicting a stage of the San
Romano war, are now housed in England, Italy, and France.
Uccello's life was described in Giorgio Vasari's Vite.
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