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Wayne Thiebaud
Wayne Thiebaud (born 1920) is a painter whose most
famous works are of cakes, pastries, toys and lipsticks.
Thiebaud was born to Mormon parents in Mesa, Arizona,
America. He was brought to Long Beach, CA at the age of six months.
Thiebaud spent over ten years working in New York and Hollywood
as a cartoonist and advertisement designer. These stints were interrupted
for four years, from 1942 to 1946, while Thiebaud served as a member
of the US Army Air Force. Wayne Thiebaud's formal art training was
paid for by the G.I. Bill, and he studied at San Jose State College
and the California State University, Sacramento. He received a teaching
appointment at Sacramento Junior College in 1951, while still in
graduate school. He reamined there for eight years after which he
joined the University of California, Davis as an art professor.
Thiebaud thought that Northern California was a pleasant change
from Long Beach, and he said that Sacramento "almost seemed
a Northeastern city. It had a train station and the leaves even
changed colors with the seasons."
Thiebaud is best known for his paintings of production
line objects found in diners and cafeterias, such as pies and pastries.
Many wonder if he spent time working in the food industry, and in
fact he did. As a young man in Long Beach, he worked at a cafe named
Mile High and Red Hot, where "Mile High" was ice cream
and "Red Hot" was hot dogs. Despite this experience with
food in his younger years, Thiebaud's artistic leanings were originally
inspired by cartoons and comic strips, such as George Herriman's
"Krazy Kat." As a teenager, Thiebaud established himself
as a cartoonist. He worked for a brief time as an animator for the
Walt Disney studios and drew a regular comic strip while serving
in the air force. Thiebaud spent time as a poster designer and commercial
artist in both California and New York before eventually deciding
to become a painter. He was associated with the Pop Art painters
because of his interest in objects of mass culture, however, his
works, executed during the fifties and sixties, slightly predate
the works of the classic pop artists, suggesting that Thiebaud may
have had a great influence on the movement. He has also been seen,
due to his true to life representations, as a predecessor to photorealism.
Thiebaud uses heavy pigment and exaggerated colors to depict his
subjects, and the well-defined shadows characteristic of advertisements
are almost always included in his work.
Thiebaud's first solo exhibition was at the Crocker
Art Gallery in Sacramento, and between the years of 1954 and 1957,
he produced eleven educational films for which he was awarded the
Scholastic Art Prize in 1961. In the spring of 1962, Thiebaud exhibited
for the first time at the Allan Stone Gallery in New York. This
exhibition was followed by his first solo museum show - in San Francisco
at the M. H. de Young Memorial Museum. Later that year he was included
in the landmark group exhibition, New Realists, at the Sidney Janis
Gallery in New York.
In addition to pastries, Thiebaud has painted landscapes,
streetscapes, and popular characters such as Mickey Mouse . His
recent paintings such as 'Sunset Streets' (1985) and 'Flatland River'
(1997) are noted for their hyper realism, and are in some ways similar
to Edward Hopper's work, who was fascinated with the mundane scenes
from everyday American life.
Thiebaud includes Giorgio Morandi as one of his
inspirations. He also admires the work of Vermeer, Diego Velasquez,
and Degas. Thiebaud considers himself not an artist, but a painter.
He is a voracious reader and is known for reading poetry to his
students. His favorite poet is William Carlos Williams. Thiebaud
loves tennis and chocolate.
Today, Thiebaud's art dealer continues to be Allan
Stone, the man who gave him his first "break" decades
ago. The Allan Stone Gallery is currently located in New York City.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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