oil painting » Painting techniques » Impasto Painting
Impasto Paintings
Impasto Painting most commonly refers to a technique used in painting, where paint is laid on an area of the surface (or the entire canvas) very thickly, usually thickly enough that the brush or painting-knife strokes are visible. Paint can also be mixed right on the canvas. When dry, impasto provides texture, the paint coming out of the canvas.
The word "impasto" is Italian in origin; in that language it means "dough" or "mixture"; the verb "impastare" translates variously as "to knead", or "to paste". Italian usage of "impasto" includes both a painting and a potting technique.
Oil paint is most suitable to the impasto painting
techniques, due
to its thickness and slow drying time. Acrylic paint can also
be impastoed. Impasto is generally not possible in watercolour
or tempera without the addition of thickening agent due to the
inherent thinness of these media.
Impastoed paint serves several purposes. Firstly, it makes the
light reflect in a particular way, giving the artist additional
control over the play of light on the painting.
Impasto Painting it can add expressiveness to
the painting, the viewer being able to notice the strength and
speed applied by the artist.Impasto can push a painting into a
three dimensional sculptural rendering.The first objective was
originally sought by masters such as Rembrandt and Titian, to represent
folds in clothes or jewels,it was then juxtaposed with more delicate
painting. Much later, the French impressionists created entire
canvases of rich impasto textures.
Vincent
van Gogh used it frequently for aesthetics and expression. Abstract expressionists such as Hans Hofmann and Willem De Kooning also made extensive use of it, motivated in part by a desire to create paintings which dramatically record the "action" of painting itself. Still more recently, Frank Auerbach has used such heavy impasto that some of his paintings become almost three-dimensional.
Because impasto gives texture to the painting, it can be opposed to flat, smooth, or blending techniques.
Gallery
|