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Naive art
Naive art is created by untrained artists. It is characterized
by simplicity and a lack of the elements or qualities found in the
art of formally trained artists. (See also, outsider art.)
The term naive art presumes the existence (by contrast) of
an academy and of a generally accepted educated manner of art creation,
most often painting. In practice, however, there are schools of
naive artists. Over time it has become an acceptable style.
The characteristics of naive art are an awkward relationship
to the formal qualities of painting; for example, difficulties with
drawing and perspective that result in a charmingly awkward and
often refreshing vision; strong use of pattern, unrefined colour,
and simplicity rather than subtlety are all supposed markers of
naive art. It has become such a popular and recognisable style that
many example could be called pseudo-naive.
Primitive art is another term often applied to the art of those
without formal training. This is distinguished from the self-conscious
movement primitivism. Another term related to, but not completely
synonymous with, naive art, is folk art.
Naive artists
Alfred Wallis
Bogosav ivkovic
Camille Bombois
Derold Page
Dragan Gai
Dragiša Stanisavljevic
Dušan Jevtovic
Edward Hicks
Emerik Feješ
Ferenc Kalmar
Franjo Filipovic
Franjo Klopotan
Franjo Mraz
Grandma Moses
Heinz Steinmann
Henri Rousseau
Horace Pippin
Dragutin Aleksic
Ilija Bašicevic Bosilj
Ilija Filipovic
Ivan Generalic
Ivan Rabuzin
Ivan Veceraj
Janko Brašic
Josip Generalic
Milan Rašic
Milan Stanisavljevic
Milosav Jovanovic
Mirko Virius
Morris Hirschfield
Bryan Pearce
Sava Sekulic
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.h
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