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Portrait
A portrait is a painting, photograph, or other artistic representation
of a person. Portraits are often simple head shots or mug shots
and are not usually overly elaborate or creative. The intent is
to show the basic appearance of the person, and occasionally some
artistic insight into his or her personality.
The art of the portrait flourished in Roman sculptures, where sitters
demanded realistic portraits, even unflattering ones. During the
4th century, the portrait began to retreat in favor of an idealized
symbol of what that person looked like. (Compare the portraits of
Roman Emperors Constantine I and Theodosius I at their entries.)
In Europe true portraits of the outward appearance of individuals
re-emerged in the late Middle Ages, in Burgundy and France.
Self-portrait by Nicholas Hilliard, 1575, one of the earliest
knownOne of best-known portraits in the Western world is Leonardo
da Vinci's painting titled Mona Lisa, which is a painting of an
unidentified woman.
Some of the earliest portraits of people who were not kings or
emperors, are the funeral portraits that survived in the dry climate
of Egypt's Fayum district (illustration, right). These are the only
paintings of the Roman period that have survived, aside from frescos.
When the artist creates a portrait of himself, it is called a self-portrait.
The first known in paint was by the French artist Jean Fouquet in
c. 1450,[1] but if the definition is extended the first was by the
Egyptian Pharoah Akhenaten's sculptor Bak, who carved a representation
of himself and his wife Taheri c. 1365 BC. However, it seems likely
that self-portraits go back to the earliest representational art.
Portrait photography is a popular commercial industry all over
the world. Many people enjoy having professionally made family portraits
to hang in their house, or special portraits to commemorate certain
events, such as graduations or weddings.
Since the dawn of photography people have made portraits. The popularity
of the daguerreotype in the middle of the 19th century was due in
large part to the demand for inexpensive portraiture. Studios sprang
up in cities around the world, some cranking out more than 500 plates
a day. The style of these early works reflected the technical challenges
associated with 30-second exposure times and the painterly aesthetic
of the time. Subjects were generally seated against plain backgrounds
and lit with the soft light of an overhead window and whatever else
could be reflected with mirrors.
Self-portrait by Vincent Van Gogh.As photographic techniques developed,
an intrepid group of photographers took their talents out of the
studio and onto battlefields, across oceans and into remote wilderness.
William Shew's Daguerreotype Saloon, Roger Fenton's Photographic
Van and Mathew Brady's What-is-it? wagon set the standards for making
portraits and other photographs in the field.
Photographic portrait by Yousuf Karsh of Albert Einstein. 1948.
Gelatin silver print.In politics, portraits of the leader are often
used as a symbol of the state. In most countries it is common protocol
for a portrait of the head of state to appear in important government
buildings. Excessive use of a leader's portrait can be indicative
of a personality cult.
In literature the term portrait refers to a written description
or analysis of a person or thing. A written portrait often gives
deep insight, and offers an analysis that goes far beyond the superficial.
For example, American author Patricia Cornwell wrote a best-selling
book titled Portrait of a Killer about the personality, background,
and possible motivations of Jack the Ripper, as well as the media
coverage of his murders, and the subsequent police investigation
of his crimes.
The term portrait also describes the orientation of a rectangular
piece of paper, painting or other graphic, denoting that the long
axis is vertical. When the long axis is horizontal, it is said to
be in landscape mode.
The paintings are the excellent portrayal of the events and scenes
that we see around us. The painters are the best cameras of the
world. They reproduce many different types of pictures. They even
draw imaginary pictures that do not exist in this world. We tend
to use both thinned oil paints and dense oil paints. Masterpieces
can be dyed more than once, but each time it may be different from
the existing paintings.
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